Vikram-Vedha (2017)

(This is not meant as a review of the movie. There may be spoilers.)

Vikram-Vedha found mention in today’s Indian Express which reminded me that I also meant to write about it here. Better late than never.

This is how Shubhra Gupta writing in the Indian Express summarizes the movie. The article also mentions Angamaly Diaries, another movie I loved but didn’t get to writing about and other regional language movies.

…the Tamil language Vikram-Vedha directed by Pushpa-Gayatri: it’s gangsta-and-cops-and-robbers aesthetic is shot through tactics that immediately make you sit up and take notice. R Madhavan plays the cop-who-thinks-he-is-always-right with a swagger. Vijay Sethupathi’s bad guy out-swaggers the policeman.

I loved Vijay Sethupati in this movie. His entry scene in the movie received a lot of whistles from the audience and reminded me of Reddington entry scene in The Blacklist. The movie moves from the black and white chor-police narrative to one which goes into the grey shades. Intertwined in this is the classic Vikram-Vetaal of my childhood (whose introduction theme scared me) of question and answers, which leads the investigation forward and introduces the grey element. The connection is brought by Sethupati asking Madhavan “Oru Katha Sollutta?” (Tamil: Shall I tell you a story?), which is how Vikram-Vetaal stories also move forward.

The movie ends with a question that is not answered. Only Tamil movies have this realistic element. It leaves the answer to the question open to the movie-goer. It says not all questions have an easy solution. It is the grey that we have in Society today. Not everyone is purely white nor purely black. Everyone is a shade of grey. We can’t make out how dark these shades of grey are. All we can do is do the best in the given in situation and know that we have no control on the outcome.

I watched the movie at Cinepolis in Chembur, Mumbai on July 28, 2017.

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